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Interview At what age did you get into music? I started playing at around eight years old. Started with (of all things) accordion. Some guy was going door-to-door trying to sell accordion lessons. My mother decided that since my older brother was already getting guitar lessons and my younger brother was too small to pick one up, I was the logical candidate…that only lasted until I saw The Beatles on Ed Sullivan….THEN I wanted to be Ringo!....drums were of course out of the question, so they paid my brother a dollar-an-hour to teach me guitar instead. 2. Do you play any of your own instruments? Yes, I play guitar during my live shows and just about anything with frets on it when recording. I especially enjoy recording bass. It’s such a key factor in composition….you can change the entire direction of a song with the selection of a single note. I’m now recording both my third and fourth albums simultaneously. I didn’t mean to do it this way but with all the time I spend on the road I ended up with a backlog of songs that I couldn’t get recorded fast enough. So now I take the hard drive with me and use studios all along the way. 12. What in a nutshell does music mean to you? Everything. ============================================ Press ============================================== minor7th magazine "The Sun and the Moon" is a musical delight in every way. James Hurley owns a rare combination of talents - pop songwriting that is intelligent in its eloquence of lyrics and chordal changes, oh-so-silky vocals and harmonies, an unpretentious jazz-like virtuosity on acoustic guitar, and the guts to lay those talents bare with a very austere production. Like Stephen Bishop's, Hurley's style is up-beat and catchy, but very genuine. Fans of Brian Wilson's "SMiLE" will love the ethereal vocal coda at the end of "In My Dreams." "Whisper" is reminiscent of Kenny Rankin's Brasilian balladry. There's even a Sgt. Pepperish and playful use of tuba on "London Bridge," disclosing a strong Beatles influence that seems ubiquitous to his generation of songwriters © Alan Fark
Indie-Music.com It's refreshing to come across an artist now and then who knows how to strip it down without making it dull. While listening to James Hurley's music, the words that kept coming up in my notes were "simple" and "warm." Yes, he gets experimental at times, mixing in clarinet and cello on "One Fine Day" and conga drums throughout the CD. We also get a tuba on the playful, dancing folk tale "London Bridge," mixed in with the whimsical lyrics. Why not? It works. And it works without sounding cluttered or overshadowing Hurley's smooth, welcoming vocals. I liked each song on this CD. The title track is, again, a warm and simple folk song, this one a celestial romance born of stargazing. I turned into an agent as the CD progressed, listing artists I would ask to cover these tracks. I can hear Clapton taking on "One Man Woman," and Harry Connick Jr. is all over "Whisper." Other tracks, though, are just for Hurley, perfectly suited to his laid-back yet enveloping sound. "In My Dreams," with the lush acoustic arrangment and gentle harmonies, is a good example. Hurley's a romantic softie, and the lyrics of "Whisper" show this side of him mixed with his penchant for the Zen: I sometimes wish I were a wiser man Listen to this CD while enjoying a meal of bread, cheese, and wine under a starry sky. Unplug the phone. Read some Thoreau. Not only will you have found a much-needed respite, you'll have a new favorite in your CD collection. By Jennifer Layton =============================================== Singing Songwriter Magazine James Hurley’s new CD release, The Sun and the Moon, has just become my top pick for a feel-good-take-my-troubles-away album. This is acoustic-based Adult Contemporary music that has definite Blues and Jazz flavors with a little Folk and Rock thrown in for good measure. Track pick: “One Fine Day” - the perfect song about being glad to be alive. Check him out http://www.jameshurleymusic.com by Kenny Hart =================================================== Artists Severin Browne 3/1/07 Friday March 2 at 8pm, James Hurley will be our guest on the First Friday Show at Kulak’s Woodshed. James is a real joy to listen to and to watch. He very casually does some phenomenal things on guitar while singing his truly original and melodically courageous songs. If you haven’t seen him yet, drop by or tune in to the webcast. Jim Hurley - violinist with Linda Ronstadt and many others.....and no relation! James- Fans ================================================ Wow, I love your guitar playing, how you can carry a song on its own with just guitar and your soft, soulful vocals, that's the measure of a real musician! I love The Sun and the Moon. The melody, the lyric, the sound of your voice and vocal delivery. Made me smile.The ending to London Bridge made me laugh out loud, thank you for a splendid story and a wonderful song. Bravo!Your guitar is you in musical terms. And the music is pure joy..David K. - L.A.
I'm absolutely loving London Bridge! That's gonna be my "Clear-the-hangover" song at uni! It sounds like Paul Simon, if he were a bit happier! =============
Ian D - Scotland =============
Andy H. - U.K. ==============
============== The fave for me is, "London Bridge, " and the tuba works brilliantly, however, "Take Me Away, " is also a lovely song with a slight Simon and Garfunkel feel to it in places. I do request that you put some more lyrics up though as some of the lyrics in, "Take Me Away, " are superb and I would really like to be able to read, "London Bridge, " as well as just listening. =================
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